Modern creative action is no longer "in the presence of intensive experimental aesthetic consciousness" a metaphorical work, but it becomes a formative structural act that requires conscious reading of this semantic process to discover its reproduction and development in order to open interpretive understandings. The research rises on touching the poeticism that the prose poem seeks to achieve through various aesthetics and methods by addressing the issue of internal rhythms and its essence, as well as talking about poeticism and its concept through a preface, followed by the presentation of poetic models of Saudi poets with their varied and different artistic experiences. Questions examples as what are the internal rhythms of prose poem, and how it contributes to the realization of poeticism of text? , And how poets of Saudi prose poem employed the internal rhythms? What are the limits of that experience? Can we talk about a Saudi prose poem that has a special and unique voice? The research is approaching the experience of a group of Saudi prose poets who have continuity of their poetic activity. The choice is also free for the researcher to choose the model, and these models represent a clear artistic diversity with the depth of ideas and uneven maturity of the prose poem essence. The research rises on three main axes: The first is: Introduction to the rhythm in general and the internal rhythm of the prose poem in particular, and its role in the synthesis of poeticism. The second axis deals with poeticism as a goal of poetry and its aesthetics in its variations and rhythm. The third axis deals with the internal rhythm through specific patterns (rhythm of repetition / character, single word / sentence), and the (rhythm of contrast / corresponding) monitored by a series of texts by a number of Saudi poets interested in prose poem. Then It concludes with a summary of the research findings and recommendations
poeticism - poetry - prose - rhythm.
|Author :||حمدان محسن عواض الحارثي|
|Number of pages:||15-32|